186 Lead Sound Engineer jobs in the United States

Team: Ramsey Network Please note that applicants must be authorized to work in the U.S. We are unable to sponsor or take over sponsorship of an employment Visa at this time. Location: Franklin, TNon-site, relocation assistance available, flexible sc Audio Engineer, Audio, Engineer, Solutions, Producer, Technology

Your Role:The position's primary focus and responsibility is the production of live broadcasts, podcast production, recordings, and events for APM|MPR. The Audio Engineer works in support of Marketplace, APM's national portfolio, and Minnesota Public Radio's three regional services (MPR News, YourClassical, and The Current).The Audio Engineer will bring experience in audio production to help produce compelling content for our audiences.This position will work within the Technology & Operations division and will collaborate with colleagues across our organization as well as external partners to maintain excellent technical quality of MPR/APM broadcasts, audio recordings, podcasts, and events.Expected Compensation Range: $36.00-$38.00 / hourly. Exact rate determined by experience and education related to the role, organizational compensation structure, and internal equity.Work Location: St. Paul, MNApplication Process: Applicants must be authorized to work for ANY employer in the U.S. We are unable to sponsor or take over sponsorship of an employment Visa at this time.Application Deadline: Until filled.Your Responsibilities:Perform live audio mixing: on-air board operations, studio mixing of both talk and music, and sound reinforcement.Mix and process audio for multi-channel distribution.Recording and mixing of talk and music based audio content.Maintain advanced knowledge and operational skill in digital audio production using in-house software-editing platforms (currently utilized systems include Dalet and Pro Tools) as well as mixing consoles (currently utilized systems include Axia, Midas, and Yamaha digital consoles.)Responsible for responding in a timely and professional manner to internal and external requests for audio files, technical assistance, and planning details.Collaborate closely with show hosts, directors, and producers to accommodate an efficient and creative broadcast/production environment. Establishes and maintains the highest standards of audio and video production.Follows standard operating procedures and workflows to provide consistent production quality.Works with other departments and/or external partners to remain up to date on all technical and content changes and modifications.Test, connect, and monitor codecs and any other equipment necessary for live broadcasts (currently utilized systems include Comrex Access, LiveU, Opal, Riverside, Teams, and more.)Operate audio/visual systems for events and meetingsOperate digital audio recording devices and interfaces for both in-house and field recording.Provide excellent customer service to both internal colleagues and external constituents.Provide back-up for other Audio Engineers and assist on various department activities as needed.Other duties as assigned.Required Education and Experience:Bachelor's degree or three or more years experience as an audio engineer.One or more years experience doing audio and/or video production workPossess a thorough knowledge and experience of field recording, sound reinforcement, studio recording, post-production, and "live" broadcast procedures. Knowledge and experience with digital audio technologies and audio editing software.Computer literate with experience using PC and Mac platforms.Required Skills, Knowledge and Abilities:Planning, communications, and teamwork skills.Problem-solving and technical troubleshooting skills.Ability to establish and maintain positive working relationships to achieve common goals.Able to perform work independently or in a team environment.Demonstrated ability to effectively communicate, both written and orally.Ability to maintain composure and perform well under pressure. Demonstrated ability to support and troubleshoot computer hardware and software.Knowledgeable and skilled in operating signal processing equipment and digital plug-ins including equalizers, compressors, limiters, de-esser's, reverb, and other digital effects.Fluency in several digital audio workstation varieties, Pro Tools experience preferred.Demonstrated skills operating and knowledge of audio consoles, microphones, mic pre-amps, patch bays / routers, multi-track recorders, AD/DA converters, and related audio equipment.Ability to multi-task daily.Excellent customer service skills.Preferred Skills and Experience:Experience in a broadcasting or media environment.Experience recording in many environments including studios, control rooms, concert halls, churches, clubs, and outdoor venues.Operational experience with Internet Service Provider (ISP) technologies such as DSL, fiber, cable, and wireless technologies. This includes applications and equipment such as VoIP, IP codecs, consumer modems/routers and network switches.Knowledge of digital production and content management systems for 'on-air' program production and automation.Solid background in electronics, audiovisual systems, audio systems signal flow, and basic electronics wiring.Working knowledge of audio/visual equipment including projectors, video switchers, and other presentation technology.Ability to think about content editing from the perspective of the audience to help shape a story or piece with creative editing and production techniques.Reporting To This Position: NonePhysical Demands and Working Conditions:Must be able to perform the essential duties of the position with or without reasonable accommodation.Position will require early morning hours.Position will at times require weekend, evening, and holiday work.Physical Demands: Required to move about in an office environmentRequired to move about in the communityReach with hands and armsBalance, stoop, kneel, or crouchFrequent use of hands for data entry/keystrokes and simple grasping. Required to lift audio and video equipment up to 70 lbs.Working Conditions: Moderate noise levelOccasional exposure to prevalent weather conditionsAPMG offers a comprehensive benefits package including Medical plans with HSA and FSA options, Dental, Vision, Life and AD&D, Short-Term and Long-Term Disability, Paid Parental Leave and Paid Caregiver Leave after 1 year, Vacation (3 wks./per year, pro-rated, based on hours worked), Sick time (12 days, pro-rated, based on hours worked), Holiday Pay (10 holidays + 2 floating holidays each year), Volunteer Time (8 hours per year), Long-Term Care and Critical Illness insurance options, Employee Assistance Program, 403(b) Retirement Plan, and more.Diversity creates a healthier atmosphere: All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, age, national origin, protected veteran status, disability status, sexual orientation, gender identity or expression, marital status, genetic information, or any other characteristic protected by law.We are committed to hiring a breadth of diverse professionals and encouraging members of diverse groups to apply. Equal Opportunity Employer This employer is required to notify all applicants of their rights pursuant to federal employment laws. For further information, please review the Know Your Rights notice from the Department of Labor.

Company: Frameshifts

Location: Boston, MA

Type: Internship (Part-time; Unpaid; training-focused)

Position: Audio Engineer Intern Frameshifts

Seeking a dedicated Audio Engineer Intern to produce studio-quality audio for Frameshifts. Youll ensure episodes meet high professional standards and deliver an engaging listener experience.

Frameshifts is a leading platform for conversations with ambitious founders, investors, and researchers in biotech and life sciences. We break down innovations in synthetic biology, gene editing, longevity, and deep-tech entrepreneurship, translating complex discoveries into compelling stories at the intersection of science, entrepreneurship, and technology.

• Audio Recording & Editing Capture, edit, and refine audio for clear, polished, professional-quality sound.
• Audio Enhancement Add music, intros/outros, and SFX while maintaining consistent show identity.
• Studio Setup & Optimization Arrive one hour before sessions to handle microphones, sound tests, and troubleshooting.
• Post-Production Processing Edit/process RAW audio to balance levels, reduce noise, and optimize clarity.
• Clip Creation Produce soundbites and audio clips for trailers, social, and promos.
• Collaborative Workflow Coordinate with videographer and producers for seamless audiovideo integration.

• Align with producers and hosts to maintain quality across episodes.
• Build sound design assets in Pro Tools, Adobe Audition, or Descript .
• Research and apply podcast audio best practices.
• Document workflows: session settings, editing steps, and standards.
• Conduct final QC prior to publishing.

• Audio Engineering & Editing Experience Portfolio with podcast or broadcast work.
• Software Pro Tools, Audacity, Adobe Audition, and/or Descript.
• Commitment Consistent schedule over 36 months , including early setup.
• Detail & Organization Strong file management and sound consistency.
• Team Orientation Collaborate with videographers, producers, and hosts.

• Creative Sound Design Thoughtful use of music and SFX to enhance narrative.
• Studio Fundamentals Mic setup, basic mixing, and troubleshooting.

• Hands-On Production Professional equipment and industry-standard software; practical experience in sound design, editing, and workflows.
• Access to Leading Minds Work on interviews with top founders, researchers, and VCs across synthetic biology, longevity, and gene editing; distribution on Spotify, Apple Podcasts, YouTube , and more.
• Portfolio Material Demonstrate delivery of studio-quality audio in a fast-paced environment.
• Mentorship Tight feedback loops with producers and hosts.
• Network Expansion Build connections across biotech, venture, and academia.
• Creative Influence Shape tone, mood, and energy through sound design.

• Apply via LinkedIn , or
• Send your resume, portfolio, and a brief note on fit to

About Nintendo of America: From the launch of the Nintendo Entertainment System more than 30 years ago, Nintendo's mission has been to create smiles through unique entertainment experiences. Here at Nintendo of America Inc., we deliver on this mission by partnering closely with Nintendo Co., Ltd., to bring Nintendo's iconic and cherished franchises including Mario, Donkey Kong, The Legend of Zelda, Metroid, Animal Crossing, Pikmin and Splatoon across the Americas through our video games, hardware systems, and collaborations with partners on a range of other entertainment initiatives like feature films and theme parks.

Based in Redmond, Wash., Nintendo of America serves as headquarters for Nintendo's operations in the Americas. We are an equal opportunity employer offering a welcoming and inclusive environment in service to one another, our products, and the diverse consumers and communities we call home. For more information about Nintendo, please visit the company's website at

Team/Position Summary: The Content Lab team acts as an in-house creative partner, designed to strategically ideate, innovate, produce, and deliver quality content on various channels.

This position ensures broadcast quality recording for various types of productions including, but not limited to, video shoots, live streams, events, and post-production.

DESCRIPTION OF DUTIES:

• Collaborates with clients, leadership/producers to support overall direction of sound use.
• Evaluates projects for specific sound requirements.
• Record, edit, mix various sound sources.
• Responsible for final mix of broadcast, web-based videos and surround sound assets.
• Sweeten or add effects to audio in post-production.
• Helps create and maintain sound libraries.
• Troubleshoot and resolve technical issues related to sound.
• Supports live events with set up of audio consoles/equipment, intercoms, and conference systems.
• Contributes to creative direction and project management to cross functional teams, partners, and vendors

• Minimum of five (5) years working in video production emphasis on audio recording and mixing.
• Technical expertise in sound engineering techniques.
• Strong knowledge of sound acquisition and recording equipment.
• Strong knowledge of various types of audio software.
• Strong knowledge of various audio standards (Broadcast, 5.1, 7.1, Dolby Atmos, etc).
• Working knowledge of Adobe CC, Izotope, and SourceConnect.
• General understanding of video formats, frame rates, signal flow, wireless audio interfaces, RF coordination, and digital signal processing.
• Undergraduate degree, degree in audio/sound engineering
• Avid pro Tools User Certification preferred

Boxi Park is a vibrant and dynamic entertainment venue located in the heart of the Lake Nona community in Orlando, FL. Our unique space offers a variety of dining options, live events, and a lively atmosphere for guests of all ages. We are seeking a talented Audio Visual Technician to join our team and contribute to the exceptional experiences we provide to our patrons.

As an Audio Visual Technician at Boxi Park, you will play a crucial role in ensuring the seamless execution of audio and visual elements for our events, performances, and day-to-day operations. You will work closely with the events team, performers, and other staff to enhance the overall atmosphere and entertainment value of Boxi Park.

Responsibilities:

• Set up and operate audio and visual equipment for live events, performances, and daily operations.
• Troubleshoot and resolve technical issues related to audio and visual systems.
• Collaborate with event organizers and performers to understand their technical requirements and provide support accordingly.
• Ensure the proper functioning of sound systems, microphones, projectors, screens, and other AV equipment.
• Monitor audio levels and make adjustments as needed to maintain optimal sound quality.
• Assist in the installation and maintenance of AV equipment.
• Coordinate with other staff members to execute the overall vision for events and performances.
• Provide technical support for in-house presentations, meetings, and conferences.

Benefits:

• Competitive pay based on experience.
• Opportunity for career growth within a dynamic entertainment venue.
• Positive and collaborative work environment.
• Discounts on food and beverages at Boxi Park.

If you are passionate about audiovisual technology, enjoy working in a fast-paced and dynamic environment, and want to contribute to creating memorable experiences for our guests, we encourage you to apply for this exciting opportunity at Boxi Park in the Lake Nona community of Orlando, FL.

Requirements:

Qualifications:

• Previous experience as an Audio Visual Technician or in a related field.
• Knowledge of audio and visual equipment, including but not limited to sound systems, microphones, projectors, and screens.
• Strong troubleshooting skills with the ability to quickly and effectively resolve technical issues.
• Familiarity with different audio and video formats.
• Excellent communication and interpersonal skills.
• Ability to work flexible hours, including weekends.
• Team player with a positive attitude and a commitment to delivering high-quality experiences.

New York, NY / Los Angeles, CA

Production / Contract / On-site

Sofar Sounds is a global community that connects artists and audiences through unique and intimate experiences. Sofar shows transform everyday spaces into captivating venues for intimate gigs, creating inclusive experiences that bring people closer together. Founded in London in 2009, Sofar creates space where music and arts matter in 400 cities around the world. Our global team is distributed across the US and UK, and is backed by some of the best-known consumer industry investors.

As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music which makes the sound that much more important. Working with our local crew teams, you'll ensure that our Sofar shows sound incredible and artists sets go off without a hitch. We work in some pretty cool and unexpected places, so you may need to get creative depending on the venue! Please note: this is a month-to-month contract role. During that period of time, you are expected to work consistent shifts (2-4 per month depending on show volume) and bring your own gear to shows, including PA and mixer. The majority of our shows take place during the evenings on Thursday - Saturday.

• Provide live sound reinforcement for Sofar shows
• Work with the crew team & artists to prep and execute each show
• Reference our concert portal to ensure you have the right gear for each unique artist setup, and keep future requirements up to date
• Transport your own gear to and from the venue
• Set up and load-in audio equipment at the beginning of the show
• Break down and load out audio equipment at the end of the show
• Maintain safe and appropriate audio levels for the venue and audience size
• Consult on audio requirements for venues, partnerships and special shows

• You have experience with DIY audio setups, ideally at 50+ cap shows
• You have your own gear and can arrange transportation to and from shows
• You have a passion for live sound & creative problem solving especially in unique venues!
• You're a strong communicator and comfortable working with creatives
• You are able to troubleshoot effectively, especially in high-pressure situations
• You must be able to move up to 75 lbs., with or without reasonable accommodation

$450 - $900 a month

If our mission and job opening resonate, you're encouraged to apply even if your experience doesn't precisely match the job description. We are committed to creating a culture of belonging and building a diverse team that reflects a variety of lived experiences, perspectives, and skills.

• Minimum of 1-3 years' experience and/or training, or equivalent combination of education and experience (Live Event Audio Engineering experience required)
• Working knowledge of current audio equipment, speakers, consoles, amplifiers, and wireless hardware as well as related software programs
• Professional and personable with superior customer service skills
• Ability to self-start, be proactive, be highly responsive and reliable
• Ability to manage workload, meet deadlines, handling multiple, varied tasks
• Commitment to excellence and accuracy
• Communicate effectively; read and write English/take verbal direction; use simple math
• Valid Driver's License

• Insurance Benefits - 90% paid Health, 100% paid Vision, 100% paid Dental coverage for employee
• 401(k) Retirement Savings Plan with a 4% company match
• Profit Sharing
• Up to 21 PTO Days - range of 11 - 21 days based upon years of service
• 12 Paid Holidays (Plus additional days around Christmas!)
• Various Earned Bonus Opportunities
• Good Times! Think ice cream trucks, catered lunches, cookouts, Top Golf, and more for our Employee Appreciation Days
• A fully stocked Coffee Bar, every day

Reporting to the Assistant Production Manager, we are seeking an Audio Engineer who will provide a professional and safe performance environment to the Peabody Institute students, faculty, staff, patrons and guests. This is a casual/as-needed position; hours are flexible and include daytime and evenings and weekends as appropriate to the staffing needs of the department.

The Peabody Institute of The Johns Hopkins University advances a dynamic, 21st-century model of performing arts training in pursuit of its mission: to elevate the human experience through leadership at the intersection of art and education. Through its Conservatory for undergraduate and graduate studies and the Preparatory, Baltimores largest community performing arts school, Peabody empowers musicians and dancers from diverse backgrounds to create and perform at the highest level.

Specific Duties & Responsibilities

• Leads audio set-ups, tune and troubleshoot audio system for concerts, masterclasses and recitals.
• Troubleshoots complex audio systems to ensure all concerts run smoothly.
  
• Works in close partnership with the Stage Manager and other members of the production team, conductors, artistic directors and students to provide audio support.
  
• Operates Front of House Audio console including both digital and analogue mixers.
  

Special Knowledge, Skills & Abilities

• Experience with digital consoles.
• Familiarity with large and small format PA set-up and design.
  
• Professional demeanor, superior communication skills, comfort in high-pressure situations, adaptable, solutions-oriented problem solver.
  
• Understanding of the principals of EQ, Compression as well as familiarity with a wide variety of microphones and microphone techniques.
  
• Demonstrated organizational skills with proven ability to effectively prioritize workload.
  
• Ability to work long hours and nontraditional shifts: evenings and weekends due to performance schedule.

Physical Requirements

• Ability to walk, stand, climb for extended periods.
• Ability to climb ladders and scaffolding.
  
• Ability to lift up to 50 pounds.

• Bachelors Degree in production (theatrical or event).
• Two to Three years of experience in production or related field.
• Additional experience may substitute for required education to the extent permitted by the JHU equivalency formula.

• Three to Five years of technical theater and audio experience.

Classified Title: Stage Coordinator
Job Posting Title (Working Title): Audio Engineer
Role/Level/Range: ACRO37.5/03/CD
Starting Salary Range: Min $17.00 - Max $0.00 HRLY ( 15,890.70 targeted; Commensurate with experience)
Employee group: Casual / On Call
Schedule: Variable, up to 987 hours per year
Exempt Status: Non-Exempt
Location: Peabody Institute
Department name: Ensemble Operations
Personnel area: Peabody

Total Rewards
The referenced salary range is based on Johns Hopkins Universitys good faith belief at the time of posting. Actual compensation may vary based on factors such as geographic location, work experience, market conditions, education/training and skill level. Johns Hopkins offers a total rewards package that supports our employees' health, life, career and retirement. More information can be found here:

Please refer to the job description above to see which forms of equivalency are permitted for this position. If permitted, equivalencies will follow these guidelines:
JHU Equivalency Formula: 30 undergraduate degree credits (semester hours) or 18 graduate degree credits may substitute for one year of experience. Additional related experience may substitute for required education on the same basis. For jobs where equivalency is permitted, up to two years of non-related college course work may be applied towards the total minimum education/experience required for the respective job.

**Applicants who do not meet the posted requirements but are completing their final academic semester/quarter will be considered eligible for employment and may be asked to provide additional information confirming their academic completion date.

The successful candidate(s) for this position will be subject to a pre-employment background check. Johns Hopkins is committed to hiring individuals with a justice-involved background, consistent with applicable policies and current practice. A prior criminal history does not automatically preclude candidates from employment at Johns Hopkins University. In accordance with applicable law, the university will review, on an individual basis, the date of a candidates conviction, the nature of the conviction and how the conviction relates to an essential job-related qualification or function.

The Johns Hopkins University values diversity, equity and inclusion and advances these through our key strategic framework, the JHU Roadmap on Diversity and Inclusion.

Accommodation Information

If you are interested in applying for employment with The Johns Hopkins University and require special assistance or accommodation during any part of the pre-employment process, please contact the Talent Acquisition Office at For TTY users, call via Maryland Relay or dial 711. For more information about workplace accommodations or accessibility at Johns Hopkins University, please visit accessibility.jhu.edu.

Johns Hopkins has mandated COVID-19 and influenza vaccines, as applicable. The COVID-19 vaccine does not apply to positions located in the State of Florida. Exceptions to the COVID and flu vaccine requirements may be provided to individuals for religious beliefs or medical reasons. Requests for an exception must be submitted to the JHU vaccination registry. For additional information, applicants for SOM positions should visit and all other JHU applicants should visit

The following additional provisions may apply, depending on campus. Your recruiter will advise accordingly.

The pre-employment physical for positions in clinical areas, laboratories, working with research subjects, or involving community contact requires documentation of immune status against Rubella (German measles), Rubeola (Measles), Mumps, Varicella (chickenpox), Hepatitis B and documentation of having received the Tdap (Tetanus, diphtheria, pertussis) vaccination. This may include documentation of having two (2) MMR vaccines; two (2) Varicella vaccines; or antibody status to these diseases from laboratory testing. Blood tests for immunities to these diseases are ordinarily included in the pre-employment physical exam except for those employees who provide results of blood tests or immunization documentation from their own health care providers. Any vaccinations required for these diseases will be given at no cost in our Occupational Health office.

Note: Job Postings are updated daily and remain online until filled.

Studio engineer job descriptionA studio engineer, also known as a recording engineer or audio engineer, is responsible for thetechnical and artistic aspects of recording, mixing, and mastering audio in a professional studiosetting. They work closely with musicians, producers, and other studio personnel to achieve thedesired sound and deliver high-quality audio productions.Here's a breakdown of the typical responsibilities and qualifications of a studio engineer:ResponsibilitiesOperating and maintaining recording studio equipment and software: This includesmicrophones, mixing consoles, digital audio workstations (DAWs) like Pro Tools, Logic Pro,and Ableton Live, along with various preamps, compressors, and equalizers.Recording and editing audio tracks: Capturing sound, editing, manipulating, and combiningrecordings with effects like reverb, delay, or distortion to achieve the desired creativeoutcome.Mixing and mastering audio: Adjusting volumes, equalization, compression, and addingeffects to individual tracks to blend them cohesively and prepare the final audio for variousplatforms and devices.Collaborating with artists and producers: Understanding the artistic vision and providingtechnical expertise to bring it to life in the studio.Troubleshooting technical issues: Identifying and resolving problems with equipment andsoftware to maintain a smooth workflow.Staying informed on industry trends: Keeping up-to-date with the latest recordingtechnologies and techniques to ensure cutting-edge solutions.Skills and qualificationsTechnical proficiency: Expertise in operating and maintaining recording studio equipment andsoftware, including DAWs, microphones, mixers, and audio interfaces.Strong technical skills and problem-solving ability: The ability to diagnose and repair audiocomponents and troubleshoot issues effectively.Knowledge of sound and room acoustics: Understanding how sound behaves in differentenvironments and optimizing recordings accordingly.Excellent communication and interpersonal skills: The ability to work collaboratively withproducers, artists, and other team members, as well as provide clear instructions andfeedback.Critical listening: A keen ear for evaluating sound quality and making precise adjustments.Attention to detail: Meticulousness in editing, mixing, and mastering audio to ensure highquality and creative consistency.Ability to work well under pressure: Maintaining quality work in a fast-paced environmentwith tight deadlines.Musical knowledge: While not always required, a strong understanding of music theory,composition, and various musical genres can be a significant asset.Formal education and certification (optional): A bachelor's degree or advanced degree inaudio production, engineering, or a related field, along with certifications in audio engineering,can enhance career opportunities
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