1,264 Audio jobs in the United States
Lead Audio Engineer - Music Production
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Remote Lead Audio Engineer, Music Production
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Responsibilities:
- Lead and manage audio engineering operations for music production projects.
- Oversee recording, mixing, and mastering processes to ensure superior audio quality.
- Collaborate with artists, producers, and musicians to achieve desired sonic outcomes.
- Operate and maintain professional audio recording equipment and DAWs.
- Implement sound design techniques and creative audio solutions.
- Troubleshoot and resolve technical audio issues.
- Guide and mentor junior audio engineers.
- Ensure consistency in audio quality across all project deliverables.
- Manage audio project timelines and deliverables effectively in a remote setting.
- Stay updated on the latest audio technologies and production trends.
- Bachelor's degree in Audio Engineering, Music Production, or a related field, or equivalent professional experience.
- 5+ years of experience in professional audio engineering and music production.
- Proven experience as a Lead Audio Engineer or in a senior audio role.
- Expert proficiency with industry-standard DAWs (e.g., Pro Tools, Logic Pro, Ableton Live, Cubase).
- Extensive knowledge of audio mixing, mastering, and sound design techniques.
- Experience with a wide range of audio plugins and virtual instruments.
- Strong understanding of acoustics and signal flow.
- Excellent communication, collaboration, and leadership skills.
- Ability to work independently and manage projects remotely.
- A strong portfolio of high-quality audio productions.
- Passion for music and audio technology.
Audio Engineer
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Boxi Park is a vibrant and dynamic entertainment venue located in the heart of the Lake Nona community in Orlando, FL. Our unique space offers a variety of dining options, live events, and a lively atmosphere for guests of all ages. We are seeking a talented Audio Visual Technician to join our team and contribute to the exceptional experiences we provide to our patrons.
As an Audio Visual Technician at Boxi Park, you will play a crucial role in ensuring the seamless execution of audio and visual elements for our events, performances, and day-to-day operations. You will work closely with the events team, performers, and other staff to enhance the overall atmosphere and entertainment value of Boxi Park.
Responsibilities:
- Set up and operate audio and visual equipment for live events, performances, and daily operations.
- Troubleshoot and resolve technical issues related to audio and visual systems.
- Collaborate with event organizers and performers to understand their technical requirements and provide support accordingly.
- Ensure the proper functioning of sound systems, microphones, projectors, screens, and other AV equipment.
- Monitor audio levels and make adjustments as needed to maintain optimal sound quality.
- Assist in the installation and maintenance of AV equipment.
- Coordinate with other staff members to execute the overall vision for events and performances.
- Provide technical support for in-house presentations, meetings, and conferences.
Benefits:
- Competitive pay based on experience.
- Opportunity for career growth within a dynamic entertainment venue.
- Positive and collaborative work environment.
- Discounts on food and beverages at Boxi Park.
If you are passionate about audiovisual technology, enjoy working in a fast-paced and dynamic environment, and want to contribute to creating memorable experiences for our guests, we encourage you to apply for this exciting opportunity at Boxi Park in the Lake Nona community of Orlando, FL.
Requirements:
Qualifications:
- Previous experience as an Audio Visual Technician or in a related field.
- Knowledge of audio and visual equipment, including but not limited to sound systems, microphones, projectors, and screens.
- Strong troubleshooting skills with the ability to quickly and effectively resolve technical issues.
- Familiarity with different audio and video formats.
- Excellent communication and interpersonal skills.
- Ability to work flexible hours, including weekends.
- Team player with a positive attitude and a commitment to delivering high-quality experiences.
Audio Engineer
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Nintendo of America Inc.
About Nintendo of America: From the launch of the Nintendo Entertainment System more than 30 years ago, Nintendo's mission has been to create smiles through unique entertainment experiences. Here at Nintendo of America Inc., we deliver on this mission by partnering closely with Nintendo Co., Ltd., to bring Nintendo's iconic and cherished franchises including Mario, Donkey Kong, The Legend of Zelda, Metroid, Animal Crossing, Pikmin and Splatoon across the Americas through our video games, hardware systems, and collaborations with partners on a range of other entertainment initiatives like feature films and theme parks.
Based in Redmond, Wash., Nintendo of America serves as headquarters for Nintendo's operations in the Americas. We are an equal opportunity employer offering a welcoming and inclusive environment in service to one another, our products, and the diverse consumers and communities we call home. For more information about Nintendo, please visit the company's website at
Team/Position Summary: The Content Lab team acts as an in-house creative partner, designed to strategically ideate, innovate, produce, and deliver quality content on various channels.
This position ensures broadcast quality recording for various types of productions including, but not limited to, video shoots, live streams, events, and post-production.
DESCRIPTION OF DUTIES:
- Collaborates with clients, leadership/producers to support overall direction of sound use.
- Evaluates projects for specific sound requirements.
- Record, edit, mix various sound sources.
- Responsible for final mix of broadcast, web-based videos and surround sound assets.
- Sweeten or add effects to audio in post-production.
- Helps create and maintain sound libraries.
- Troubleshoot and resolve technical issues related to sound.
- Supports live events with set up of audio consoles/equipment, intercoms, and conference systems.
- Contributes to creative direction and project management to cross functional teams, partners, and vendors
- Minimum of five (5) years working in video production emphasis on audio recording and mixing.
- Technical expertise in sound engineering techniques.
- Strong knowledge of sound acquisition and recording equipment.
- Strong knowledge of various types of audio software.
- Strong knowledge of various audio standards (Broadcast, 5.1, 7.1, Dolby Atmos, etc).
- Working knowledge of Adobe CC, Izotope, and SourceConnect.
- General understanding of video formats, frame rates, signal flow, wireless audio interfaces, RF coordination, and digital signal processing.
- Undergraduate degree, degree in audio/sound engineering
- Avid pro Tools User Certification preferred
This position includes a base salary range of $91,500 - $146,400 annually, potential for a semi-annual discretionary performance bonus, and a comprehensive benefits package that includes medical, dental, vision, 401(k), and paid time off. Please see our Benefits & Perks page for more benefits information. #LI-Hybrid
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Audio Engineer
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New York, NY / Los Angeles, CA
Production / Contract / On-site
Sofar Sounds is a global community that connects artists and audiences through unique and intimate experiences. Sofar shows transform everyday spaces into captivating venues for intimate gigs, creating inclusive experiences that bring people closer together. Founded in London in 2009, Sofar creates space where music and arts matter in 400 cities around the world. Our global team is distributed across the US and UK, and is backed by some of the best-known consumer industry investors.
As an Audio Engineer at Sofar, you'll bring the magic on the sound desk at local shows throughout NYC. Our shows are intimate and all about the music which makes the sound that much more important. Working with our local crew teams, you'll ensure that our Sofar shows sound incredible and artists sets go off without a hitch. We work in some pretty cool and unexpected places, so you may need to get creative depending on the venue! Please note: this is a month-to-month contract role. During that period of time, you are expected to work consistent shifts (2-4 per month depending on show volume) and bring your own gear to shows, including PA and mixer. The majority of our shows take place during the evenings on Thursday - Saturday.
What You'll Do:- Provide live sound reinforcement for Sofar shows
- Work with the crew team & artists to prep and execute each show
- Reference our concert portal to ensure you have the right gear for each unique artist setup, and keep future requirements up to date
- Transport your own gear to and from the venue
- Set up and load-in audio equipment at the beginning of the show
- Break down and load out audio equipment at the end of the show
- Maintain safe and appropriate audio levels for the venue and audience size
- Consult on audio requirements for venues, partnerships and special shows
- You have experience with DIY audio setups, ideally at 50+ cap shows
- You have your own gear and can arrange transportation to and from shows
- You have a passion for live sound & creative problem solving especially in unique venues!
- You're a strong communicator and comfortable working with creatives
- You are able to troubleshoot effectively, especially in high-pressure situations
- You must be able to move up to 75 lbs., with or without reasonable accommodation
$450 - $900 a month
If our mission and job opening resonate, you're encouraged to apply even if your experience doesn't precisely match the job description. We are committed to creating a culture of belonging and building a diverse team that reflects a variety of lived experiences, perspectives, and skills.
Audio Engineer
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CTS Concerts, Tours & Live Events Team is expanding and in search of a full-time Audio Engineer.
The position of Audio Engineer reports directly to the Audio Operations Manager, along with secondary reporting to the Warehouse Operations Manager for all Operations Center duties. Your duties will primarily revolve around the Live Event Audio Operations of CTS including prep, events, tours and general maintenance.
Audio Technician, Show Prep, Monitor Engineer, Programmer, Technician and Customer Service. Needless to say, the Audio Engineer is an essential member of our experienced team and growing company.
PAY RANGE : Dependent on experience and qualifications
WE ASK THAT YOU BRING THESE ESSENTIALS (and maybe even impress us with these):
- Minimum of 1-3 years' experience and/or training, or equivalent combination of education and experience (Live Event Audio Engineering experience required)
- Working knowledge of current audio equipment, speakers, consoles, amplifiers, and wireless hardware as well as related software programs
- Professional and personable with superior customer service skills
- Ability to self-start, be proactive, be highly responsive and reliable
- Ability to manage workload, meet deadlines, handling multiple, varied tasks
- Commitment to excellence and accuracy
- Communicate effectively; read and write English/take verbal direction; use simple math
- Valid Driver's License
Our commitment to setting the highest of high standards for quality is measured in 4 equal parts; the performance, the process, the relationships, - and here, where it all begins - in the lives of our people. Providing a high level of service to our customers, starts with taking great care of our employees.
- Insurance Benefits - 90% paid Health, 100% paid Vision, 100% paid Dental coverage for employee
- 401(k) Retirement Savings Plan with a 4% company match
- Profit Sharing
- Up to 21 PTO Days - range of 11 - 21 days based upon years of service
- 12 Paid Holidays (Plus additional days around Christmas!)
- Various Earned Bonus Opportunities
- Good Times! Think ice cream trucks, catered lunches, cookouts, Top Golf, and more for our Employee Appreciation Days
- A fully stocked Coffee Bar, every day
Audio Engineer
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Join to apply for the Audio Engineer role at McNally Enterprises Inc
Join to apply for the Audio Engineer role at McNally Enterprises Inc
Job description
McNally Enterprises Incorporated is a full service production company located in the heart of Southern California. We provide production services for over 300 events each year on a local, national, and international level. As a full service production company we integrate and utilize our skills in 5 production disciplines; scenic, staging, audio, video, and lighting, to provide a seamless and well executed production experience in all that we do. Our production capabilities are well known throughout the industry, providing for events such as the Grammy Awards, WIF awards, E3 convention, Comic Con, the Espy Awards and hundreds of other events; large and small.
Job Description
Job description
McNally Enterprises Incorporated is a full service production company located in the heart of Southern California. We provide production services for over 300 events each year on a local, national, and international level. As a full service production company we integrate and utilize our skills in 5 production disciplines; scenic, staging, audio, video, and lighting, to provide a seamless and well executed production experience in all that we do. Our production capabilities are well known throughout the industry, providing for events such as the Grammy Awards, WIF awards, E3 convention, Comic Con, the Espy Awards and hundreds of other events; large and small.
We're looking for a passionate, motivated, and resourceful Audio Technician/Board Operator to join our team! Our team of audio specialists have experience operating large concerts, political campaigns, charity dinners, conferences and much more. We send the same top-flight technicians to each event, whether productions are big or small.
Job Duties and Responsibilities:
- Operating modern 32+channel digital audio consoles from Digico, Yamaha, Allen-Heath, Midas, Avid, or other touring-grade manufacturers.
- Operating with line array systems and possessing a general knowledge of speaker placement fundamentals.
- Prepping pull sheets and QC gear in the shop.
- Understanding basic RF theory and wireless microphone operation.
- Positioning (5) or more Lavalier microphones on stage successfully.
- "EQ" a room successfully to avoid feedback and optimize acoustic performance.
- Willing to lend a hand in all other aspects of production when audio setup is complete.
- Ability to work long hours and maintain a flexible schedule.
- Lifting various audio and event-related equipment.
- Ability to lift 50 lbs.
- Performing various other duties assigned by MEI management staff.
Qualifications
- Advanced knowledge of modern 32+ channel digital audio consoles.
- Proficient in routing and signal flow as well as strong knowledge in EQ, Compression, and other audio signal processing concepts
- Experience in rigging and deploying line array speakers and a general knowledge of speaker placement fundamentals.
- Proficiency in audio networking and routing including Dante.
- Advanced knowledge of RF coordination and deployment of wireless systems
- Strong communication and email skills.
- Knowledge in the operation of various audio software needed in event execution such as: SMAART, QLAB, Dante Controller, Wireless Workbench.
- Experience deploying and troubleshooting wired and wireless communication systems.
- Proficiency in mixing multiple channels for events, including wireless handheld, lavalier, and countryman microphones, bands, video, and music playback.
- Live event production company experience.
- Excellent communication (verbal and written) skills are required to handle client needs.
- Excellent organizational, negotiation, and problem-solving skills.
- Efficient multi-tasker who is detail-oriented.
- Able to work independently or as part of a team effort.
- Maintain an efficient and professional workflow that can consistently meet concrete deadlines.
- Able to meet physical demands in the work environment.
- Be willing to work in a fast-paced environment.
- Live Events
- Live Audio
- EAW Radius
- Digico Series
- Deploying and troubleshooting wired and wireless communication systems.
Full Time Pay: $25-$5 an hour
Contract Pay: 350- 1,000
Schedule:
- 8 hour shift
- Monday to Friday
- Weekends as needed
- High school or equivalent (Preferred)
- Allen and Heath SQ5: 1 year (Required)
- Q Lab: 1 year (Preferred)
- Live Audio: 2 years (Required)
- Digico S Series: 2 years (Required)
- Driver's License (Required)
- Anaheim, CA 92806 (Preferred)
- 75% (Preferred)
Company Description
McNally Enterprises Inc. is a full-service event production company situated in Southern California. We specialize in providing production services for more than 300 events every year, both locally and internationally. Our team of experts integrates skills across various disciplines, including scenic, staging, audio, video, and lighting, to deliver flawless and seamless event experiences. Our exceptional production capabilities have earned us recognition in the industry and we have contributed our services to high-profile events such as Coachella, Comic Con, the Super Bowl, and many others.
For more information, please visit our website at
McNally Enterprises Inc. is a full-service event production company situated in Southern California. We specialize in providing production services for more than 300 events every year, both locally and internationally. Our team of experts integrates skills across various disciplines, including scenic, staging, audio, video, and lighting, to deliver flawless and seamless event experiences. Our exceptional production capabilities have earned us recognition in the industry and we have contributed our services to high-profile events such as Coachella, Comic Con, the Super Bowl, and many others. For more information, please visit our website at Seniority level
- Seniority level Mid-Senior level
- Employment type Full-time
- Job function Engineering and Information Technology
- Industries Events Services
Referrals increase your chances of interviewing at McNally Enterprises Inc by 2x
Sign in to set job alerts for Audio Engineer roles. Maintenance Engineer/Live Audio Engineer - Full TimeLos Angeles, CA 450.00- 900.00 2 weeks ago
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Audio Engineer
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Reporting to the Assistant Production Manager, we are seeking an Audio Engineer who will provide a professional and safe performance environment to the Peabody Institute students, faculty, staff, patrons and guests. This is a casual/as-needed position; hours are flexible and include daytime and evenings and weekends as appropriate to the staffing needs of the department.
The Peabody Institute of The Johns Hopkins University advances a dynamic, 21st-century model of performing arts training in pursuit of its mission: to elevate the human experience through leadership at the intersection of art and education. Through its Conservatory for undergraduate and graduate studies and the Preparatory, Baltimores largest community performing arts school, Peabody empowers musicians and dancers from diverse backgrounds to create and perform at the highest level.
Specific Duties & Responsibilities
- Leads audio set-ups, tune and troubleshoot audio system for concerts, masterclasses and recitals.
- Troubleshoots complex audio systems to ensure all concerts run smoothly.
- Works in close partnership with the Stage Manager and other members of the production team, conductors, artistic directors and students to provide audio support.
- Operates Front of House Audio console including both digital and analogue mixers.
Special Knowledge, Skills & Abilities
- Experience with digital consoles.
- Familiarity with large and small format PA set-up and design.
- Professional demeanor, superior communication skills, comfort in high-pressure situations, adaptable, solutions-oriented problem solver.
- Understanding of the principals of EQ, Compression as well as familiarity with a wide variety of microphones and microphone techniques.
- Demonstrated organizational skills with proven ability to effectively prioritize workload.
- Ability to work long hours and nontraditional shifts: evenings and weekends due to performance schedule.
Physical Requirements
- Ability to walk, stand, climb for extended periods.
- Ability to climb ladders and scaffolding.
- Ability to lift up to 50 pounds.
- Bachelors Degree in production (theatrical or event).
- Two to Three years of experience in production or related field.
- Additional experience may substitute for required education to the extent permitted by the JHU equivalency formula.
- Three to Five years of technical theater and audio experience.
Classified Title: Stage Coordinator
Job Posting Title (Working Title): Audio Engineer
Role/Level/Range: ACRO37.5/03/CD
Starting Salary Range: Min $17.00 - Max $0.00 HRLY ( 15,890.70 targeted; Commensurate with experience)
Employee group: Casual / On Call
Schedule: Variable, up to 987 hours per year
Exempt Status: Non-Exempt
Location: Peabody Institute
Department name: Ensemble Operations
Personnel area: Peabody
Total Rewards
The referenced salary range is based on Johns Hopkins Universitys good faith belief at the time of posting. Actual compensation may vary based on factors such as geographic location, work experience, market conditions, education/training and skill level. Johns Hopkins offers a total rewards package that supports our employees' health, life, career and retirement. More information can be found here:
Please refer to the job description above to see which forms of equivalency are permitted for this position. If permitted, equivalencies will follow these guidelines:
JHU Equivalency Formula: 30 undergraduate degree credits (semester hours) or 18 graduate degree credits may substitute for one year of experience. Additional related experience may substitute for required education on the same basis. For jobs where equivalency is permitted, up to two years of non-related college course work may be applied towards the total minimum education/experience required for the respective job.
**Applicants who do not meet the posted requirements but are completing their final academic semester/quarter will be considered eligible for employment and may be asked to provide additional information confirming their academic completion date.
The successful candidate(s) for this position will be subject to a pre-employment background check. Johns Hopkins is committed to hiring individuals with a justice-involved background, consistent with applicable policies and current practice. A prior criminal history does not automatically preclude candidates from employment at Johns Hopkins University. In accordance with applicable law, the university will review, on an individual basis, the date of a candidates conviction, the nature of the conviction and how the conviction relates to an essential job-related qualification or function.
The Johns Hopkins University values diversity, equity and inclusion and advances these through our key strategic framework, the JHU Roadmap on Diversity and Inclusion.
Accommodation Information
If you are interested in applying for employment with The Johns Hopkins University and require special assistance or accommodation during any part of the pre-employment process, please contact the Talent Acquisition Office at For TTY users, call via Maryland Relay or dial 711. For more information about workplace accommodations or accessibility at Johns Hopkins University, please visit accessibility.jhu.edu.
Johns Hopkins has mandated COVID-19 and influenza vaccines, as applicable. The COVID-19 vaccine does not apply to positions located in the State of Florida. Exceptions to the COVID and flu vaccine requirements may be provided to individuals for religious beliefs or medical reasons. Requests for an exception must be submitted to the JHU vaccination registry. For additional information, applicants for SOM positions should visit and all other JHU applicants should visit
The following additional provisions may apply, depending on campus. Your recruiter will advise accordingly.
The pre-employment physical for positions in clinical areas, laboratories, working with research subjects, or involving community contact requires documentation of immune status against Rubella (German measles), Rubeola (Measles), Mumps, Varicella (chickenpox), Hepatitis B and documentation of having received the Tdap (Tetanus, diphtheria, pertussis) vaccination. This may include documentation of having two (2) MMR vaccines; two (2) Varicella vaccines; or antibody status to these diseases from laboratory testing. Blood tests for immunities to these diseases are ordinarily included in the pre-employment physical exam except for those employees who provide results of blood tests or immunization documentation from their own health care providers. Any vaccinations required for these diseases will be given at no cost in our Occupational Health office.
Note: Job Postings are updated daily and remain online until filled.
#J-18808-LjbffrAUDIO Engineer
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Studio engineer job descriptionA studio engineer, also known as a recording engineer or audio engineer, is responsible for thetechnical and artistic aspects of recording, mixing, and mastering audio in a professional studiosetting. They work closely with musicians, producers, and other studio personnel to achieve thedesired sound and deliver high-quality audio productions.Here's a breakdown of the typical responsibilities and qualifications of a studio engineer:ResponsibilitiesOperating and maintaining recording studio equipment and software: This includesmicrophones, mixing consoles, digital audio workstations (DAWs) like Pro Tools, Logic Pro,and Ableton Live, along with various preamps, compressors, and equalizers.Recording and editing audio tracks: Capturing sound, editing, manipulating, and combiningrecordings with effects like reverb, delay, or distortion to achieve the desired creativeoutcome.Mixing and mastering audio: Adjusting volumes, equalization, compression, and addingeffects to individual tracks to blend them cohesively and prepare the final audio for variousplatforms and devices.Collaborating with artists and producers: Understanding the artistic vision and providingtechnical expertise to bring it to life in the studio.Troubleshooting technical issues: Identifying and resolving problems with equipment andsoftware to maintain a smooth workflow.Staying informed on industry trends: Keeping up-to-date with the latest recordingtechnologies and techniques to ensure cutting-edge solutions.Skills and qualificationsTechnical proficiency: Expertise in operating and maintaining recording studio equipment andsoftware, including DAWs, microphones, mixers, and audio interfaces.Strong technical skills and problem-solving ability: The ability to diagnose and repair audiocomponents and troubleshoot issues effectively.Knowledge of sound and room acoustics: Understanding how sound behaves in differentenvironments and optimizing recordings accordingly.Excellent communication and interpersonal skills: The ability to work collaboratively withproducers, artists, and other team members, as well as provide clear instructions andfeedback.Critical listening: A keen ear for evaluating sound quality and making precise adjustments.Attention to detail: Meticulousness in editing, mixing, and mastering audio to ensure highquality and creative consistency.Ability to work well under pressure: Maintaining quality work in a fast-paced environmentwith tight deadlines.Musical knowledge: While not always required, a strong understanding of music theory,composition, and various musical genres can be a significant asset.Formal education and certification (optional): A bachelor's degree or advanced degree inaudio production, engineering, or a related field, along with certifications in audio engineering,can enhance career opportunities
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Audio Engineer
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Audio Engineer IS- Application Deadline: 16 September 2025Department: Center for Folklife and Cultural HeritageEmployment Type: Full TimeLocation: Washington, DCCompensation: $84,601 - $109,975 / yearDescriptionOPEN DATE: August 26, 2025 CLOSING DATE: September 16, 2025 POSITION TYPE: Trust FundAPPOINTMENT TYPE: Trust IndefiniteSCHEDULE: Full TimeDUTY LOCATION: Washington, DCPosition sensitivity and risk: Non-Sensitive/Low RiskSelect One of the following:Open to all qualified applicantsWhat are Trust Fund Positions?Trust Fund positions are unique to the Smithsonian. They are paid for from a variety of sources, including the Smithsonian endowment, revenue from our business activities, donations, grants and contracts. Trust employees are not part of the civil service, nor does trust fund employment lead to Federal status. The salary ranges for trust positions are generally the same as for federal positions and in many cases trust and federal employees work side by side. Trust employees have their own benefit program, which may include Health, Dental & Vision Insurance, Life Insurance, Transit/Commuter Benefits, Accidental Death and Dismemberment Insurance, Annual and Sick Leave, Family Friendly Leave, 403b Retirement Plan, Discounts for Smithsonian Memberships, Museum Stores and Restaurants, Credit Union, Smithsonian Early Enrichment Center (Child Care), Flexible Spending